From the Archives: Va. Foundation for Humanities increases private funding, helps mark Civil War

Va. Foundation for Humanities increases private funding, helps mark Civil War
March 19, 2011 12:21 AM MST

Sponsored by the Charlottesville-based Virginia Foundation for the Humanities (VFH), the annual Virginia Festival of the Book brings about 25,000 visitors to the city to hear and engage with authors, publishers, book reviewers, and bibliophiles.

The 2010 festival hosted 160 events featuring 307 authors, drawing visitors from 35 states and at least six foreign countries.

It should come as no surprise, then, that VFH president Robert Vaughan says, “We’re certainly going to continue this annual book festival, there’s no question about that.”

Vaughan spoke to the Charlottesville Libertarian Examiner at the University of Virginia on March 16, after a presentation on civility in public life by former Iowa congressman Jim Leach, who now serves as chairman of the National Endowment for the Humanities.

Private giving
Asked about what VFH is doing to encourage private philanthropic giving to promote the humanities in Virginia, Vaughan explained that the foundation has “a very active private giving program. Our private giving has increased over the past five years significantly.”

Even before five years ago, he said, private giving “was getting better and better,” but added that in the past half-decade, “we flipped, actually, from being about 60 to 65 percent either federal or state funding to being about 60-plus percent private funding.”

While the VFH does not have any programs to assist private donors looking for potential recipients, Vaughan did say that “we have increased our earned income, which I think is something that both private donors as well as public donors appreciate.”


Women and minorities
Over the next year, Vaughan said, the VFH will continue its traditional programming activities but it is also branching out.

“We’ve always had a long and strong interest in minority communities and minority cultures,” he explained. “We began focusing on women early on,” as well as on “the black community in Virginia, because it’s large and significant and historic.”

VFH, he added, has recently begun to include Virginia’s Native Americans in its programs.

Vaughan also pointed to a couple of events at the book festival that feature speakers from the Muslim world and the Middle East, and explained that these are related to a fellowship program that started about 18 months ago that also includes “Asian immigration and Latino immigration into the Commonwealth of Virginia and the influence and effects that that’s having on the culture, the community, the sense of place that we have.”

Marking the Civil War sesquicentennial
VFH is also involved in efforts to commemorate the 150th anniversary of the American Civil War, which began in April 1861.

“We have been involved with the Virginia Sesquicentennial [of the American Civil War] Commission,” he said, helping “in a minor way” with the seven conferences the commission is putting on. “There have been two so far. The next one will be on May 21st at Virginia Tech, focusing on military" issues.

A larger project that he described is “building an encyclopedia of Virginia, an entirely on-line, digital publication,” which has been in process for about four years.

“It takes a long time because it is gigantic, as you might imagine,” Vaughan explained. “It can include virtually everything – virtually in both ways” that word is used.

The connection to the Civil War commemoration is that for the past year and a half or so, the encyclopedia “decided to focus on the Civil War because of the timing.”

This digital publication, Vaughan noted, also provides “the content for the Sesquicentennial Commission’s web site on the Civil War,” serving as “the educational component of it.”

The encyclopedia’s virtual pages, he concluded, are “quite a glorious record of the good, the bad, the indifferent, about the Civil War and the way that Virginia was involved.”

The VFH-sponsored Virginia Festival of the Book continues through Sunday, March 20, in and around Charlottesville.

Publisher's note: This article was originally published on Examiner.com on March 19, 2011. The Examiner.com publishing platform was discontinued July 1, 2016, and its web site went dark on or about July 10, 2016.  I am republishing this piece in an effort to preserve it and all my other contributions to Examiner.com since April 6, 2010. It is reposted here without most of the internal links that were in the original.

From the Archives: Kennedy Center chief Michael Kaiser touts economic benefits of arts education

Publisher's note: This article was originally published on Examiner.com on April 5, 2011. The Examiner.com publishing platform was discontinued July 1, 2016, and its web site went dark on or about July 10, 2016.  I am republishing this piece in an effort to preserve it and all my other contributions to Examiner.com since April 6, 2010. It is reposted here without most of the internal links that were in the original.

Kennedy Center chief Michael Kaiser touts economic benefits of arts education
April 5, 2011 8:47 PM MST

Michael Kaiser

Academy Award®-winning actor Kevin Spacey set off a minor stir in the Twittersphere on April 5 when he Tweeted “Return on investment of 1 billion of arts funding (from base of 167 mil from National Endowment) is 29 billion for local & State coffers.”

Someone must have objected to his assertion, because he later followed that up with “For those who [question] the stats I have Tweeted about return on arts funding, I am getting proof u require & will Tweet it soon.”

By the time this article went to press, however, he had not provided the statistics to back up his claim.

Spacey is not alone in thinking that government funding for the arts has concomitant benefits.

Different emphasis
One who takes that position, with a slightly different emphasis, is Michael Kaiser, president of the John F. Kennedy Center for the Performing Arts in Washington, D.C.

Last month, at a luncheon following the annual season announcement at the Kennedy Center, Kaiser responded to a question posed by the Charlottesville Libertarian Examiner about the message he takes to policymakers – such as Members of Congress – when he meets them in the course of his job.

Kaiser first pointed out, as a disclaimer, that he is not allowed to lobby Congress on behalf of the Kennedy Center -- a condition of its congressional charter -- so he talks to legislators “about the arts, in general, almost exclusively.”

More particularly, Kaiser said, he focuses on “arts education more than I do on performances or exhibitions because, frankly, the money they can provide for arts education [and] the leadership they can provide is more important.”

Changing economy
Kaiser gave an overview of the 21st century American economy to explain why arts education deserves more attention.

The United States, he said, “is not a manufacturing economy anymore” – although, as Richard Lorenc pointed out in The Daily Caller on April 4, “U.S. manufacturing output grew 120 percent from 1970-2009 and 10 percent in the past ten years. American manufacturing output totaled about $2.1 trillion in 2009 compared to China’s manufacturing output of around $1.5 trillion.”

As a result of what he claimed is a decline in manufacturing, Kaiser said, “we need a different kind of work force.”

This has ramifications for politics, too, Kaiser argued.

“I believe all the political anger we see,” he said, has to do with “the fact that there’s a whole part of America that used to have their whole family income came from manufacturing, from working an assembly line, where you didn’t have to be particularly educated, but you made a very good living.”

At that time, Kaiser went on, “fathers had that living and their sons had that living and that’s gone. That part of America, that part of the economy is gone. Those people who were part of that don’t know what to do and they’re mad. I really think that’s where so much of the political anger comes from.”

The point, Kaiser continued, is that we have “to train people to participate in the creative economy,” which requires that students “exercise their creative muscles in schools" through arts education programs.

That, he said, is “something we can do very inexpensively. To save a few bucks here and there per student and to cut out everything that doesn’t allow them, I think, to become fully functioning members of our economy, I think is really crazy.”

Budget cuts
That is the message Kaiser takes to Members of Congress and other policymakers.

The new, Republican-controlled House of Representatives is making cuts in arts education that Kaiser thinks are ill-advised.

“The big area that we’re worried about specifically is arts education and VSA” (Very Special Arts, a program aimed at the disabled), he said. “In the first version of the budget came out, we lost $16 million.”

Kaiser said that he and his colleagues are “hopeful, not optimistic,” that some of that money will be reinstated “but it’s very scary.”

Congressmen, he said, “don’t even know what they’re cutting. I talk to members of the legislature and say, you know you’ve cut this and they say, ‘We did?’ And I say, yeah.”

The arts education funds are “embedded in other things,” Kaiser explained, so Congress is “cutting in big chunks and they don’t really know. It’s a scary time for us.”

Scary topic
Kaiser is not really worried about the Kennedy Center itself.

“This is a building that they own. They can’t let it fall apart.”

That is why, he said, “I’m mostly scared for the education of our children, much more than I’m scared for the Kennedy Center.”

Kaiser noted that “everyone says we want to cut the deficit in order not to saddle our children with the deficit. I would rather also give them an education and give them a chance to earn and be productive members of an economy. That’s a big concern I have. We’ll see.”

He concluded, ominously, “It’s a scary topic.”

From the Archives: Va. Foundation for Humanities increases private funding, helps mark Civil War

Publisher's note: This article was originally published on Examiner.com on March 19, 2011. The Examiner.com publishing platform was discontinued July 1, 2016, and its web site went dark on or about July 10, 2016.  I am republishing this piece in an effort to preserve it and all my other contributions to Examiner.com since April 6, 2010. It is reposted here without most of the internal links that were in the original.

Va. Foundation for Humanities increases private funding, helps mark Civil War
March 19, 2011 12:21 AM MST

Sponsored by the Charlottesville-based Virginia Foundation for the Humanities (VFH), the annual Virginia Festival of the Book brings about 25,000 visitors to the city to hear and engage with authors, publishers, book reviewers, and bibliophiles.

The 2010 festival hosted 160 events featuring 307 authors, drawing visitors from 35 states and at least six foreign countries.

It should come as no surprise, then, that VFH president Robert Vaughan says, “We’re certainly going to continue this annual book festival, there’s no question about that.”

Vaughan spoke to the Charlottesville Libertarian Examiner at the University of Virginia on March 16, after a presentation on civility in public life by former Iowa congressman Jim Leach, who now serves as chairman of the National Endowment for the Humanities.

Private giving

Asked about what VFH is doing to encourage private philanthropic giving to promote the humanities in Virginia, Vaughan explained that the foundation has “a very active private giving program. Our private giving has increased over the past five years significantly.”

Even before five years ago, he said, private giving “was getting better and better,” but added that in the past half-decade, “we flipped, actually, from being about 60 to 65 percent either federal or state funding to being about 60-plus percent private funding.”

While the VFH does not have any programs to assist private donors looking for potential recipients, Vaughan did say that “we have increased our earned income, which I think is something that both private donors as well as public donors appreciate.”


Women and minorities

Over the next year, Vaughan said, the VFH will continue its traditional programming activities but it is also branching out.

“We’ve always had a long and strong interest in minority communities and minority cultures,” he explained. “We began focusing on women early on,” as well as on “the black community in Virginia, because it’s large and significant and historic.”

VFH , he added, has recently begun to include Virginia’s Native Americans in its programs.

Vaughan also pointed to a couple of events at the book festival that feature speakers from the Muslim world and the Middle East, and explained that these are related to a fellowship program that started about 18 months ago that also includes “Asian immigration and Latino immigration into the Commonwealth of Virginia and the influence and effects that that’s having on the culture, the community, the sense of place that we have.”

Marking the Civil War sesquicentennial

VFH is also involved in efforts to commemorate the 150th anniversary of the American Civil War, which began in April 1861.

“We have been involved with the Virginia Sesquicentennial [of the American Civil War] Commission,” he said, helping “in a minor way” with the seven conferences the commission is putting on. “There have been two so far. The next one will be on May 21st at Virginia Tech, focusing on military" issues.

A larger project that he described is “building an encyclopedia of Virginia, an entirely on-line, digital publication,” which has been in process for about four years.

“It takes a long time because it is gigantic, as you might imagine,” Vaughan explained. “It can include virtually everything – virtually in both ways” that word is used.

The connection to the Civil War commemoration is that for the past year and a half or so, the encyclopedia “decided to focus on the Civil War because of the timing.”

This digital publication, Vaughan noted, also provides “the content for the Sesquicentennial Commission’s web site on the Civil War,” serving as “the educational component of it.”

The encyclopedia’s virtual pages, he concluded, are “quite a glorious record of the good, the bad, the indifferent, about the Civil War and the way that Virginia was involved.”

The VFH-sponsored Virginia Festival of the Book continues through Sunday, March 20, in and around Charlottesville.


Suggested Links

NEH chairman Jim Leach talks about ‘civility’ in Charlottesville
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What is the DREAM Act, and why is it important? A conversation with Claire Gastañaga
PVCC president Frank Friedman welcomes Senator Jim Webb to his campus

From the Archives: NEH chairman Jim Leach talks about ‘civility’ in Charlottesville

Publisher's note: This article was originally published on Examiner.com on March 17, 2011. The Examiner.com publishing platform was discontinued July 1, 2016, and its web site went dark on or about July 10, 2016.  I am republishing this piece in an effort to preserve it and all my other contributions to Examiner.com since April 6, 2010. It is reposted here without most of the internal links that were in the original.

NEH chairman Jim Leach talks about ‘civility’ in Charlottesville
March 17, 2011 4:21 AM MST

On the evening of March 16, in the historic Dome Room of the Rotunda at the University of Virginia, Jim Leach, chairman of the National Endowment for the Humanities, addressed the topic of “Civility in a Fractured Society,” as part of the 17th annual Virginia Festival of the Book.

After his formal remarks, Leach, a former Republican congressman from Iowa, spoke one-on-one with the Charlottesville Libertarian Examiner about civility in politics and the role of the humanities in American society.

Promoting argumentation
“Civility is not about dousing strongly held views,” Leach said. “It’s about making sure that people are willing to respect other perspectives.”

Those who feel “uncivil speech” is important, he continued, “have the effect of drowning out the ideas of others."

Civility, therefore, “is designed to promote argumentation on the assumption that argumentation is important to society and that, if you don’t have good argumentation, there’s a tendency towards dogmatism (which means that people never can change their views) or towards tyranny (which means that people in public life can act with abandon),” Leach asserted.

The United States, he added, “was founded on the notion of good civil argumentation. That’s what the town meeting -- that’s what the House of Burgesses -- was intended to symbolize.”

NEH and 50 state councils
On the role of the NEH, Leach explained that “America is very decentralized in how it supports the humanities, unlike European countries where virtually everything stems from the central government. The vast majority of support for the humanities is non-public. That doesn’t mean that the public [sector] doesn’t have a helpful role or a symbolic role but America in the humanities is vastly more decentralized than any place in the world and this is good.”

The National Endowment for the Humanities, which Leach heads, has cooperative agreements with 50 state humanities councils.

“The state humanities councils have some of the finest community leaders in America,” who each year run over 50,000 programs, which are largely aimed at adult and civic education. They range “from poetry and literature to history and anthropology,” Leach noted.

“They’re extraordinarily well-received programs,” he said, adding as an aside that “Virginia has one of the finest councils in the country” – referring to the Virginia Foundation for the Humanities, the sponsor of his speech at UVa, and calling it “one of the best led” of the state organizations.

Leach also noted that the NEH is a “leading research-support institution.” In its absence, he said, “a lot of research would not happen.”

‘Upsurge of interest’
Asked about a recent report issued by the National Endowment for the Arts (NEA) that shows a decline in arts participation by so-called “omnivores” (people who enjoy aspects of high-brow, middle-brow, and low-brow cultural activities), Leach replied optimistically.

“There are a huge number of alternatives for time in American society,” he explained. “We have seen in the humanities an upsurge of interest, partly possibly related to economic decline.” As an example, he noted, “the number of people going to museums is going up, not down.”

Moreover, Leach added, “the interest in ideas is escalating and not contracting. People are trying to get a sense of where they are, what’s happening, why is it happening, what [they can] do about it.”

The humanities, he said, “are the best place to go to find out one’s place in the sun.”

He offered several illustrations:

“If you read literature, you put yourself in somebody else’s shoes. You learn from great figures in literature. You can learn lessons not to repeat from [those who] might be considered characters that you don’t identify with.

“History provides a sense of where we’ve been and lessons that can be taken forward.

“Philosophy gives one a barometer [of] ethics of how we could and should lead our life,” he continued, “so I think the humanities have never been more important, particularly as the world becomes so change-intensive.”

No wonder, then, that Leach concluded the interview by smiling and saying, “I’m fortunate to lead an institution that is absolutely wondrous.”

NOTE: Video of Jim Leach's presentation at the 2011 Virginia Festival of the Book can be seen here: Part I (also above), Part II, Part III, and Part IV.