From the Archives: 'Our Nixon' producer Brian Frye recalls discovery of White House 'home movies'

'Our Nixon' producer Brian Frye recalls discovery of White House 'home movies'
November 17, 2013 7:16 PM MST

Forty years ago today, on November 17, 1973, President Richard Nixon declared “I am not a crook” before a nationwide television audience. Less than a year later, he had resigned in disgrace rather than face impeachment as a result of a cluster of scandals remembered as “the Watergate affair.”

Earlier this month at the Virginia Film Festival in Charlottesville, film maker Brian L. Frye spoke about his new documentary, Our Nixon (co-produced by Penny Lane, who also directed). Frye participated in a panel discussion after a screening of the film with former Virginia Governor Gerald Baliles and Miller Center scholar Ken Hughes.

Our Nixon, which has been aired by CNN in addition to having a limited theatrical and film-festival release, is built upon a treasure-trove of Super-8mm “home movies” shot by top Nixon aides H.R. “Bob” Haldeman, John Ehrlichman, and Dwight Chapin.

The films – which include footage of Nixon's historic trip to China and visits to the White House by foreign dignitaries, as well as more quotidian events – were preserved by the National Archives as part of a cache of potential evidence in the Watergate investigation but did not come to light until about ten years ago, when Frye learned of their existence.

After the screening, Frye – who teaches law at the University of Kentucky in addition to writing film criticism and producing movies – spoke with the Charlottesville Libertarian Examiner about how he came into possession of home movies from the Nixon White House and the process of turning that material into a cohesive documentary film.

In the public domain
“Haldeman, Ehrlichman, and Chapin,” he explained, “were receiving free Super-8 film from the Naval Photographic Center and also free processing and printing. I'm pretty sure that what was happening was Haldeman was distributing the films and after they were shot, he was collecting them, dropping them off at the Naval Photographic Center and then providing prints to all of his friends, so he probably got three prints of everything, more or less.”

When Ehrlichman, the president's domestic policy advisor, resigned as a result of the Watergate investigation, “he left in his office prints of the Super-8 films -- second- and third-generation prints,” said Frye. “Those were confiscated and ultimately became part of the Watergate investigation collection that went to the National Archives, so they were placed into the public domain in that way.”

The movies remained far from public view, however, because “they don't really relate to the abuse of power issues that people are most interested in. They were relatively low priority on the preservation ladder” for archivists.

Frye learned of the films' existence shortly from the film preservationist who “told me about his preservation work and showed me one of the reels, which I thought was fascinating but I didn't have the resources to make a transfer at the time. These were preserved but there weren't access copies available.”

After writing an article about the newly discovered movie reels for the film journal, Cineaste, Frye met his eventual producing partner, Penny Lane, in 2008.

They decided to collaborate on a documentary based on the movies but they did not know what the entire content was. Taking a risk, they invested $20,000 to have the films transferred to video so they could examine them in detail.

Novel and compelling
Once they had a chance to look at all 25 hours of film, “we realized right away that the movie that we saw in those home movies was the story of the Nixon presidency as experienced by Haldeman, Ehrlichman, and Chapin,” Frye said. “That just struck us as a kind of an interesting, novel, potentially compelling way to look at the nature of a president.”

He analogized his film to how “people say you can learn a lot about a person by the way they talk to the waiter. Maybe you can learn something about the president from the way that he talks to his staff members.”

Of the three principal characters in the film, only Dwight Chapin is still alive. He has seen Our Nixon and appeared on a panel with Penny Lane after a screening at the AFI Docs festival in Washington earlier this year.

“As you might expect,” Frye recalled, Chapin is “critical of some aspects of the film. He feels like it focuses too much on Watergate and negative things about the president” and that it “doesn't reflect enough of Nixon's good qualities.”

At the same time, he added, “I hope he recognizes that we intended this to be a human, empathetic portrait of him and his friends, the people he worked for and with in the White House, and so, hopefully he can see that the film is a balanced and considered portrait of the administration.”

Goat testicles
Frye and Lane have intriguing projects that they are working on to follow up Our Nixon.

Lane, he said, “is working on a new film called Nuts, which is the story of [John R. Brinkley,] a quack doctor from the 1920s who claimed to cure impotence by transplanting goat testicles into men's scrotums” who also “went on to invent border radio [and] win the governorship of Kansas only to have it stolen away from him by the Kansas attorney general.” Brinkley “ultimately died penniless after being crushed by the predecessor of the FCC.”

Frye is working on two different projects on his own, a “documentary history of the representation of the gay rights movement” and a narrative film about the relationship of Andy Warhol and his mother.

Our Nixon will soon be available on DVD and is still being screened on the film festival circuit.




Publisher's note: This article was originally published on Examiner.com on November 17, 2013. The Examiner.com publishing platform was discontinued July 1, 2016, and its web site went dark on or about July 10, 2016.  I am republishing this piece in an effort to preserve it and all my other contributions to Examiner.com since April 6, 2010. It is reposted here without most of the internal links that were in the original.

Kennedy and Nixon at the 2013 Virginia Film Festival

Wesley Buell Frazier (left) and Larry Sabato

Tomorrow is the 50th anniversary of John F. Kennedy's assassination in Dallas, Texas, on November 22, 1963. Television, radio, and newspapers are full of remembrances, with witnesses, historians, conspiracy theorists, and political commentators weighing in on that momentous event.

Earlier this month at the Virginia Film Festival, there was a screening of a new documentary film about JFK's legacy from the Center for Politics at the University of Virginia, called The Kennedy Half-Century, which is tied to a book by the same name by UVA political scientist Larry Sabato (The Kennedy Half-Century: The Presidency, Assassination, and Lasting Legacy of John F. Kennedy).

There was also a screening of a new documentary film about Kennedy's 1960 presidential election campaign rival, Richard M. Nixon.

That film, called Our Nixon, features never-before-seen behind-the-scenes "home movies" from the first four years of the Nixon administration.

Gerald Baliles (left) and Brian L. Frye

The amateur movies were made with Super-8mm cameras by White House aides H.R. "Bob" Haldeman, John Ehrlichman, and Dwight Chapin.

 All three men were later convicted of crimes connected to the Watergate Affair, which also brought down Nixon himself, when he became the first (and, so far, only) U.S. President to resign his office.

Each screening featured a three-person panel discussion.

The panel discussion that followed The Kennedy Half-Century focused on the Kennedy assassination itself, which is only briefly covered in the movie, because the film's focus is largely on how Kennedy's legacy has been treated by the presidents who followed him into the White House, from Lyndon Johnson to Barack Obama.

Larry Sabato moderated a discussion with two witnesses to the JFK assassination: Tina Towner Pender, who at the time of the murder was the youngest person who photographed the event; and Wesley Buell Frazier, a co-worker of Lee Harvey Oswald at the Texas School Book Depository, who drove the assassin to work the morning of November 22.

After the panel discussion, I interviewed both Pender -- who has written a memoir called Tina Towner: My Story as the Youngest Photographer at the Kennedy Assassination -- and Frazier, who was manhandled by the Dallas Police and accused of being an accomplice of Lee Harvey Oswald or co-conspirator in the assassination.

Here is video of that panel discussion, which took place in the Culbreth Theater on Saturday, November 9:

The next day, November 10, Our Nixon was shown at the Newcomb Hall Theater. The screening was followed by a panel discussion moderated by former Virginia Governor Gerald Baliles, now director and CEO of the Miller Center at the University of Virginia, and featuring Brian L. Frye, co-producer of Our Nixon and a law professor at the University of Kentucky, and Miller Center scholar Ken Hughes.

After the panel, I spoke to Frye and asked him about how he found the long-lost Super-8mm footage that makes up the bulk of his film, how it was preserved, and what his next film projects are.

Here is the video of the Our Nixon panel with Baliles, Frye, and Hughes:

Our Nixon has been aired by CNN and shown at several film festivals (in addition to the Virginia Film Festival in Charlottesville) and it will also be available on DVD in January 2014.