Showing posts with label birth. Show all posts
Showing posts with label birth. Show all posts

Sunday, December 24, 2017

Guest Post: Miraculous births and divine parents in the time of Jesus



by Meredith J C Warren, University of Sheffield

Many people are familiar with the stories in the New Testament gospels of Luke and Matthew about Jesus’ conception and birth. But what is less well known is how common such stories are when the lives of great men are told. From the initial announcement of an impending conception (to Mary in Luke, to Joseph in Matthew) to the signs and portents signalling the birth of the miraculous child, ancient Greek and Roman writings share a lot with the gospel accounts.

The Annunciation by Fra Angelico (1430-1432)
The gospels claim that Jesus’ birth was foretold in advance. Matthew quotes from the prophet Isaiah to establish Jesus’ birth as a divine promise that would usher in a time of peace and justice.

Virgil, writing in the early first century AD, wrote about a promised child, the offspring of the gods, who would bring a golden age of peace and prosperity to the Roman Empire – in other words, the emperor. Augustus Caesar’s birth was foretold by portents, according to the Roman historian Suetonius. Unusual astronomical occurrences were understood as divine omens in Roman culture, so it is no wonder that Jesus’s birth – like Augustus’s – was depicted as important using a miraculous star.

Alexander the Great’s birth also had meteorological omens surrounding it. Plutarch tells us that both Philip and Olympias, Alexander’s parents, were sent dreams from the gods announcing Alexander’s birth. Olympias dreamed that her womb was struck by lightning, while Philip dreamed that he put a seal on his wife’s womb in the image of a lion. Most significant, though, is the report that Philip spied a divine serpent sleeping next to his wife, which he took as a sign that he should avoid sleeping with her himself, since it was clear that she was to conceive from a divine rather than human source.

Massacre of the Infants


Just as Matthew records Herod’s attempts to stop the prophesied child by killing all newborn babies, Suetonius tells a similar account of Roman leaders attempting to prevent Augustus’s rise to power by ordering that no male child be reared. In Matthew, Jesus and his family escape the “Massacre of the Infants” by fleeing to Egypt – whereas in Suetonius (like in the Moses story) fathers- and mothers-to-be thwart the murderous plans, in the Roman case, by preventing the decree from being officially registered with the treasury.

Son of a god


Although both Matthew and Luke trace Jesus’s lineage through his non-biological father Joseph, Jesus is depicted as God’s own offspring.

Augustus Caesar was also adopted by his father, Julius Caesar, and likewise considered himself the descendent of a god – Venus Genetrix. Augustus traced his lineage to Venus through his ancestor Romulus, the legendary founder of Rome. Romulus, and his twin brother Remus, were conceived by the virgin priestess after the god Mars impregnated her. This priestess, as Virgil reports, was herself descended from Venus through her ancestor Aeneas, Venus’s beloved son.

Alexander the Great’s divine parentage was reinforced he grew up. Just as the adult Jesus was publicly claimed by God as his son in all four gospel accounts, Alexander’s father, Zeus Ammon, confirmed his son’s divine identity. Plutarch tells us that when Alexander approached an Egyptian oracle to ask whether he had avenged his father’s murder, the priest made him rephrase his request, since his father was not a mortal man, and addressed Alexander in oracular speech as “O son of Zeus”.

Jesus the hero


One of the most common places to find stories of miraculous births is in the life of heroes, often born of a union between a god and a human being. Hercules, perhaps the most famous of the Greek heroes, is the son of Zeus and the mortal woman Alcmene, for example. Zeus disguised himself as Alcmene’s husband in order to trick her into bed with him. The divine parentage that Hercules enjoyed enabled him to do many wondrous feats.

Likewise, Asclepius, son of Apollo, rescued from the womb of Coronis, was gifted with miraculous healing abilities and was later considered divine in his own right.

Since Matthew and Luke don’t agree with each other about what happened when Jesus was born, it’s especially interesting that they both relate something miraculous in their narratives. The idea of Jesus’s own miraculous birth may have supported the Gospel’s claims about Jesus’ miracle working ability, including healings and other wondrous feats.

The Conversation

Meredith J C Warren, Lecturer in Biblical and Religious Studies, University of Sheffield

This article was originally published on The Conversation. Read the original article.

Friday, February 04, 2011

Ronald Reagan's Centenary

Ronald Reagan statue Reagan library cowboy
You'd probably have to live under a rock to be unaware that this coming Sunday marks the 100th birthday of Ronald Reagan.

The former president was born on February 6, 1911, and the centenary celebration began on his birthday last year.

An outgrowth of the Reagan Legacy Project (which gave us, for instance, Ronald Reagan Washington National Airport in Arlington) and of the regular programs of the Reagan Library in Simi Valley, California, the 100th-year commemoration will continue for as long as people have good things to say about President Reagan.

So expect it to last for a long time.

Americans of all political stripes are offering their memories and gratitude for the life and career of President Reagan.  I'll offer two examples here.

Today Governor Bob McDonnell issued a proclamation that designates February 6, 2011, as "Ronald Reagan Day" in the Commonwealth of Virginia.  Here's the text:
WHEREAS, President Ronald Wilson Reagan served with honor and distinction for two terms as the 40th President of the United States of America; winning reelection in 1984 with nearly 60% of the vote and carrying 49 states; and

WHEREAS, in 1981, when Ronald Reagan was inaugurated President, he faced a disillusioned nation shackled by rampant inflation and high unemployment; and

WHEREAS, during Mr. Reagan’s presidency he worked in a bipartisan manner to enact his bold agenda of restoring accountability and common sense to government which led to unprecedented economic expansion and new opportunities for millions of Americans; and

WHEREAS, Mr. Reagan’s commitment to an active social policy agenda for the nation’s children helped lower crime and drug use in our neighborhoods; and

WHEREAS, President Reagan’s commitment to our armed forces contributed to the restoration of pride in America, her values and those cherished by the free world, and prepared America’s Armed Forces to meet 21st Century challenges; and

WHEREAS, President Reagan’s vision of “peace through strength” led to the end of the Cold War and the ultimate demise of the Soviet Union, guaranteeing basic human rights for hundreds of millions of people around the world; and

WHEREAS, Ronald Reagan’s inherent love of this country, faith in our people and confidence in freedom, renewed the confidence and vitality of our great nation; and

WHEREAS, February 6, 2011 will be the 100th anniversary of Ronald Reagan's birth and the seventh since his passing;

NOW, THEREFORE, I, Robert F. McDonnell, do hereby recognize February 6th, 2011, as RONALD REAGAN DAY in our COMMONWEALTH OF VIRGINIA, and I call this observance to the attention of all our citizens.
Log Cabin Republicans have also got into the act.

In a news release dated today, the primarily-but-not-exclusively-gay GOP group (a Kinsey 5?) said:
“Log Cabin Republicans join conservatives at home and abroad in remembering President Ronald Reagan’s powerful legacy as a champion of freedom,” said Log Cabin Republicans Executive Director, R. Clarke Cooper. “As we embark on the 112th Congress and Republicans seek to continue the success of the 2010 election, it is our hope that the GOP will recall Reagan’s wisdom in calling for a big tent Republican Party. As he said, ‘my 80 percent friend is not my 20 percent enemy.’ President Reagan was able to craft a broad coalition of support around the fundamental principles of smaller government, a confident foreign policy, and an optimistic faith in American individualism. Today’s Republican leaders would be wise to follow in Ronald Reagan’s footsteps by ignoring calls for ideological purity tests that Reagan himself couldn’t pass and instead uniting around Reagan’s core principles, including that inclusion wins.”

Log Cabin Republicans traces its connection to Ronald Reagan to the 1978 Briggs Initiative, a California ballot initiative that would have banned gays and lesbians from teaching in the state’s public schools. In order to combat this initiative, a group of gay Republicans reached out to then-former governor Ronald Reagan, asking him to oppose the ban. Reagan joined with Log Cabin Republicans, arguing that the ban was “not needed to protect our children” and that if it passed, “innocent lives could be ruined.” The Briggs Initiative ultimately failed.
(About this time last year, I posted video from CPAC in which Craig Shirley talked about the Briggs Initiative and how Reagan's action was motivated by his libertarian impulses as well as his fundamental sense of fairness and humanitarianism.)

For those who want to learn more, there are dozens of books about Reagan, his presidency, and his legacy.  For those with less time than they'd like, the Washington Times today published a 14-page special section that, perhaps presciently, includes a full-page ad for Senator Rand Paul's new book about the Tea Party movement.

I suggest that, if you do nothing else to celebrate Ronald Reagan this Sunday, at least raise a glass in a toast between the commercials during the Super Bowl -- unless you prefer to wait until the special zombie episode of Glee.


Tuesday, July 20, 2010

Remembering 'Freaks and Geeks'

Today is actor John Francis Daley's 25th birthday.

That may not seem to have much significance except that, ten years ago this month, a TV series in which he played the central character, Freaks and Geeks, had the last of its original episodes broadcast on NBC, the network that launched and rejected it.

It happens that Freaks and Geeks, which lasted not even a full season on NBC, is having a resurrection on IFC, the Independent Film Channel, where episodes can be seen on Fridays and Mondays at 11:00 p.m.  It is also available in at least two DVD editions.

Freaks and Geeks is not significant just because it was well-written, well-directed, and well-directed (see below) but also because it sparked the careers of some of today's biggest TV and movie actors, most of whom have become members of Judd Apatow's repertory company, appearing in movies like The 40-Year-Old Virgin, Superbad, Forgetting Sarah Marshall, and Pineapple Express, among many others.  It should come as no surprise that Apatow was one of the co-creators (along with Paul Feig) of Freaks and Geeks.

In addition to Daley, who is best known today for his featured role on Bones, the young actors who got their big break in Freaks and Geeks include Seth Rogen, James Franco, Jason Segel, and Linda Cardellini.  There were also some who appeared once or twice during the season but did not have featured roles, such as Ben Foster, Jason Schwartzman, and Shia LeBeouf.  (Note for trivia buffs:  Becky Ann Baker, who played the mother of Daley and Cardellini, also played Mary Flynn in the Arena Stage's 1990 revival of Furth and Sondheim's Merrily We Roll Along.  I saw that show twice.)

When Freaks and Geeks met its demise in July 2000, I wrote an elegy for The Metro Herald.  It seems a bit hyperbolic in retrospect but, at the time, it was a tribute to a show that seemed unduly destined for oblivion.  (The article shows its age in the way in which Web site addresses were presented.) 

This first appeared on Friday, July 14, 2000:


FREAKS AND GEEKS: QUALITY TV, DEEP-SIXED
Rick Sincere
Metro Herald Entertainment Editor

Last Saturday night, the final curtain fell on one of the 1999- 2000 television season's highest quality new shows. America is poorer for it.

The critically acclaimed Freaks and Geeks never found its audience. A large part of the blame must be put on NBC programmers, who seemed to treat F&G with a special disdain. Early in the season, they scheduled the show on Saturday night, television’s great wasteland. No one watches TV on Saturday night, and certainly not those most interested in watching a drama about teenagers and their lives.

Preempted frequently during its first foray into our homes, the situation became worse in January, when NBC put the show on Monday nights, and then proceeded to preempt it with other programming for two out of every three weeks. Consequently few viewers found this delightful creation. By March, Freaks and Geeks was simply, unceremoniously canceled.

Why was F&G treated so badly? Why was it never given its proper chance to work its way into America’s heart?

Perhaps the reason is that it was well-written, well-directed, and well-acted. Strike that: Freaks and Geeks was probably the best-written, best-directed, best-acted show of its drama in this or any other season. And American TV audiences reject the best.

How else can one explain the “success” of such phony voyeurism as Survivor or of the tedium of Who Wants to Be a Millionaire??

For those unfamiliar with Freaks and Geeks, a few words of description. Set in 1980 and 1981 in suburban Michigan, the story revolves around the Weir family father Harold (played by SCTV's Joe Flaherty), mother Jean (Becky Ann Baker), 15-year-old daughter Lindsay (Linda Cardellini), and 14-year-old son Sam (John Francis Daley). The other characters are friends of the Weirs, their teachers and counselors at school, and others who come in contact with their world.

More than any other drama, the creators of Freaks and Geeks—primarily Paul Feig and Judd Apatow, but meaning no disrespect to any of the other writers or producers—have simulated the world in which teenagers really live. These kids are real in the way that other TV kids are not: they are angst-ridden, to be sure, but they also experience the joy of discovery that comes with growing up. They are not smarter or wittier than their parents, but they recognize their limitations and wish to overcome them. As for the parents, Flaherty and Baker, in particular, portray the genuine concerns and anxieties of two people (in an intact family, no less—no divorce, widowhood, or single-motherhood here) raising teenagers at the end of an era of uncertainty. At the same time, their pride in their progeny shines through.

Sam and his friends (the “geeks” of the title) are freshmen in a large suburban high school, trying to fit in while simultaneously finding and maintaining their own identities. Fearful of being outcasts, they overLook their good qualities (Sam, for instance, is a bottomless pit of adorability hut he doesn’t know it; and he and his friends are quite intelligent, although they are unable to appreciate those gifts) while seeking to emulate the less-admirable qualities of the “popular” kids.

Lindsay, an academic star, rebels against her nature by hanging out with the “freaks” of McKinley High, exploring her own feelings while discovering the humanity of the people who formerly would neither associate with her nor expect her to associate with them.

Freaks and Geeks is realistic without descending into mawkish naturalism. The actors are uniformly perfect for their parts, although a few seem uncomfortable in their skins at first. After a few viewings, it suddenly becomes clear that these characters are supposed to be uncomfortable. They are, after all, teenagers, still coming to terms with life and unsure about what they should be and what they will become.

Themes were treated with a certain maturity, as well. The producers dealt with such questions as drug use, cheating on tests, pushing the limits of parental discipline, the dangers of misdirected practical jokes, and pornography in a non-didactic, matter-of-fact way that only added depth to the show as a whole. There was no preaching, and topicality was treated as integral—or sometimes peripheral—to the plots of each episode.

Moreover, the direction was blessed with a fine sense of detail. This extended to the costumes and props, of course (letting us know we are in the late Carter administration, not the Clinton years), but was most evident in the choice of music on the soundtrack, which included Rush, the Charlie Daniels Band, Ted Nugent, KISS, the Grateful Dead, Cheap Trick, and Gloria Gaynor, just to name a few—and not to mention the theme song by Joan Jett. (Can there be a CD soundtrack on the horizon?)

Fortunately, despite the asininity of NBC programming, Freaks and Geeks developed a devoted following. It has a presence on the Internet—including the official producers site, http://www.freaksandgeeks.com, and the official NBC site at http://www.nbc.com/freaksandgeeks, as well as unofficial fan sites at http://www.gbdesigns.com/freaksandgeeks/ and http://homes.acmecity.com/tv/hockey/596/ and http://geocities.com/freaks_and_geeks_fanatic/index.html, to name just a few—and a recent e-mail from the assistant to co-creator Paul Feig indicated that the producers are considering putting the show on video or DVD soon.

Like Action, a Fox comedy that was too sophisticated for prime time and also met an early demise, the cancellation of Freaks and Geeks demonstrates that both network programmers and the bulk of American TV viewers have no concern about quality when it interferes with ratings. If a show doesn’t skew to the right demographic, it’s destined for the ashcan of broadcast history.

A show like Freaks and Geeks would have had a limited run, in any case—once the teenagers grew up and graduated from high school, there would be no more show. (Witness Beverly Hills 90210 for the past six years if you want proof.) But what a wonderful four years we could have had.

Well, at least we still have Malcolm in the Middle. That Fox comedy, despite its high quality, also draws viewers. Sometimes a good show can be a hit in spite of itself.
Here's a question: Why do so many TV series use the name "McKinley High School" for their settings?

Not only was this the Michigan high school in Freaks and Geeks, it is the Ohio high school (where it makes more sense) in Glee, as well as the California school Miley Cyrus attends on Hannah Montana?

Is the ghost of Mark Hanna working in Hollywood, trying to build a legacy for his protege?

(Note:  This entertainment-related blog post is free of Lady Gaga and Justin Bieber content.)




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Tuesday, August 04, 2009

Happy Birthday, Mr. President!

Let's all join together in wishing a happy birthday to President Barack Obama.

President Obama was born at 7:24 p.m., exactly 48 years ago today, in Honolulu, Hawaii, just about two years after that former U.S. territory became a state.

At the time, according to contemporaneous newspaper accounts, the infant Obama's parents resided at 6085 Kalanianaole Highway in Honolulu.

President Obama shares a birthday with English poet Percy Bysshe Shelley, the late Queen Elizabeth the Queen Mother, jazz great Louis Armstrong, actress Lauren Tom (also born in 1961), baseball pitcher Roger Clemens, and Cole and Dylan Sprouse, the now-17-year-old stars of Disney's The Suite Life on Deck and The Suite Life of Zack & Cody.

Although we have policy differences -- and who doesn't? -- the president deserves all good wishes on the anniversary, not only of his birth, but of the day he became a U.S. citizen.



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Sunday, July 26, 2009

Happy 100th, Vivian Vance!

Today would have been the 100th birthday of television's foremost second banana -- I hope that is not taken as an oxymoron -- Vivian Vance, who served as an anchor to Lucille Ball's loose cannon on two comedy series of the 1950s and '60s, the beloved I Love Lucy and The Lucy Show.

Most reliable sources -- including the Internet Movie Database (imdb.com) and Wikipedia -- agree that the actress was born on July 26, 1909, with the given name of Vivian Roberta Jones.

One of the primary resources for showbiz information, the Internet Broadway Database (ibdb.com), however, places Vance's birthday five years later, on July 26, 1914, but it also lists her first marriage as taking place in 1928, making her quite the child bride.

Vivian Vance was primarily a stage actress before she was cast as landlady/sidekick Ethel Mertz by Desi Arnaz for I Love Lucy. IMDB shows a gap of 17 years between her first movie, Take a Chance (loosely based on a Broadway musical of the same name), and her second, The Secret Fury. A year after that came her first television credit, I Love Lucy.

During the intervening years, Vance was on Broadway in several shows, including the original casts of Anything Goes; Red, Hot, and Blue; and Let's Face It (all with scores by Cole Porter, the first two starring Ethel Merman). She was also in a revival of The Cradle Will Rock, playing "Mrs. Mister." Over the years her costars included Bob Hope, Jimmy Durante, Marjorie Main, Nanette Fabray, Danny Kaye, Eve Arden, Jack Albertson, Jesse White, Will Geer, and Gertrude Lawrence. (Pardon me while I lift up my jaw from the floor.)

While theatre patrons, in New York and elsewhere, might have known Vance by name or by face, it wasn't until the advent of television that she became a household name. Not only was I Love Lucy a top-rated show throughout its original run on CBS in the 1950s, through syndication it may well have become the most-viewed television series of all time. (It is said, and probably correctly so, that somewhere in the world, an episode of I Love Lucy is broadcast every hour of every day.)

After her on-screen partnership with Lucille Ball ended, Vance did a few bit parts in movies and on television, and frequently appeared as herself on game shows and chat shows. She was on the road, performing before live audiences in summer stock and regional productions of shows like Arsenic and Old Lace and Everybody Loves Opal.

Because Vivian Vance was an accomplished stage actress and singer, she possessed the skills necessary to react appropriately against Lucy Ricardo's outlandishness. Like George Burns playing off of Gracie Allen, Vance was able to make Lucille Ball's comedy seem that much more funny, simply because she was so understated. She no doubt benefited from Arnaz's decision to film I Love Lucy before a live audience (as conventional as this seems today, this was a new idea in 1951), applying her experience from the theatre to enhance her ability to feed off an audience's energy and reactions.

I found a couple of clips on YouTube of Vivian Vance away from the Lucy sets.

The first is a segment from her debut film, Take a Chance, in which Lillian Roth sings "Eadie Was a Lady" (a Buddy DeSylva/Richard Whiting/Nacio Herb Brown song introduced by Ethel Merman). Vance appears at minute marker 5:45, just after Mae Questel (the voice of Olive Oyl and Betty Boop), singing one of the verses.



The second clip is from a March 22, 1965, episode of I've Got a Secret. Not only does Vivian Vance appear as a guest (with a secret), but Carol Channing, then appearing on Broadway in Hello, Dolly!, is on the panel along with regulars Bill Cullen, Bess Myerson, and Henry Morgan. Steve Allen is the host.


One thing that made my ears prick up as I watched this video comes toward the end and makes me wonder if Vivian Vance might have been a fan of Ayn Rand.

Why would I ask that, you may wonder. Well, when Vance takes on the "role" of a prosecuting attorney, she asks about a murder and, when pressed for details, notes the murder took place on "January 16th" (minute marker 6:50). Is this just a coincidence, or did this ad lib from Vivian Vance originate in her thinking about Ayn Rand's play, The Night of January 16th? Why else would she reference this particular date on the spur of the moment?

Sadly, we will probably never know, since Vivian Vance passed away 30 years ago, on August 17, 1979, at the age of 70, after suffering from breast cancer and a stroke.

It really is an intriguing question, isn't it?



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Tuesday, April 07, 2009

April 7, 1959

A half century ago this week, Americans were listening to "Come Softly to Me" by The Fleetwoods, "Pink Shoe Laces" by Dodie Stevens, Brook Benton's "It's Just A Matter of Time," and "It's Late" and "Never Be Anyone Else But You" by Ricky Nelson.

On Monday evening, April 6, NBC broadcast the 31st Annual Academy Awards show from the Pantages Theatre in Hollywood. Gigi won the Oscar for Best Picture of the Year, David Niven was named Best Actor for Separate Tables, and Susan Hayward was named Best Actress for I Want to Live! Burl Ives and Wendy Hiller won the awards in the supporting categories for, respectively, The Big Country and Separate Tables.

On Tuesday, April 7, film director Francis Ford Coppola and talk-show host David Frost were celebrating their 20th birthdays. James Garner, then starring on TV's Maverick, blew out 31 candles on his cake. Oscar winner Russell Crowe was five years from being born.

And then, at 12:43 p.m., it was my turn.

The fact of my birth must be true, because it was reported days later in The Milwaukee Journal (look at the top of the middle column):



There is also photographic proof:



But I grew up quickly. Pretty soon I was sitting without assistance:




I eventually met taller people than myself:



And I went to school. I am sure that several of my classmates from St. Agnes in Butler are celebrating milestone birthdays this year:

Then there was my first time in a newspaper (aside from my birth announcement); I'm the one carrying a processional crucifix, and it was heavy:



High school was not far away. I started off as a bedraggled freshman at Marquette University High School:


But joining the debate team was an affirmatively transformational experience:


Participating in the Class of '77's Senior Follies ("Blazing Seniors) was transformative in its own way. Performing live on stage before an audience was a real revelation. It led to a long run of college and community productions:



Eventually, of course, I graduated:





My sister, Cathy, did the same thing (different high school), eleven years later:



Meanwhile, after getting a degree at Georgetown University, I was hanging out with a different crowd than I ever would have expected during my childhood. For instance, Nobel laureate physicist Eugene Wigner...



... and the father of the hydrogen bomb, Edward Teller:



I did some traveling:


Along the way I held several jobs (Ethics and Public Policy Center, Center for Strategic and International Studies, International Freedom Foundation, and my current gig as a consultant) and became a theatre critic.

My theatre life has been rich. I have seen Carol Channing as Dolly Levi at least three times, and on stage twice more in the infamous Legends! (with Mary Martin) and on a panel discussing the 1940s at the Kennedy Center with Dick Cavett, Debbie Reynolds, and the late Kitty Carlisle Hart. I saw Yul Brynner in the title role of The King and I, Rock Hudson and Imogene Coca in On the Twentieth Century, Angela Lansbury and George Hearn in Sweeney Todd, Tony Randall as Harold Hill in The Music Man, Paul Scofield in I'm Not Rappaport, Maggie Smith in Coming in to Land, Frankie Howerd in A Funny Thing Happened on the Way to the Forum, Richard Kiley in Man of La Mancha, and Jason Robards in several O'Neill plays, including The Iceman Cometh. (And that was just the 1970s and 1980s.) I met Barbara Cook outside the stage door of the Albery Theatre in London and asked for her autograph; both she and Wally Harper signed my program.

More recently, I have seen all three of Eric Schaeffer's stagings of Sunday in the Park with George (Arlington Players, Arena Stage/Signature, and Kennedy Center) and both his London and Arlington productions of The Witches of Eastwick. Since 1995, the number of plays and musicals I have attended is impossible to count. Whether in Charlottesville, Washington, London, or New York, there is nothing better than sitting in a dark room with strangers to watch a live performance.

I have also seen Paul McCartney, Madonna, Pet Shop Boys, Jackson Browne, Elton John, and the Rolling Stones in concert, not to mention Joshua Bell (when he was still a wunderkind, as well as on later occasions), Andrés Segovia in his prime (he was about 84 years old), Brian Stokes Mitchell and Audra MacDonald, and -- courtesy of the Kennedy Center's spring galas -- Julie Andrews and Elaine Stritch. Twice (once in Washington, once in Richmond) I sat in the audience and listened as Frank Rich interviewed Stephen Sondheim about his life and career. I saw both Quentin Crisp and Leo Ford perform at the Hippodrome in London -- two very different acts.

In the parallel universe of politics and policy, I wrote two books, edited two others, and I have debated congressmen about U.S. policy toward Africa, appeared on television to discuss nuclear weapons policy, testified before House and Senate committees, and served as the foreign policy advisor to the 1992 Libertarian presidential candidate, Andre Marrou.

I have met presidents, prime ministers, and at least one king. I have attended an inaugural ball, celebrated New Year's Eve in Trafalgar Square, and marked my birthday by dining in an Alsatian restaurant in Paris. I have thrice run for public office but am now satisfied with my role as a member of the Charlottesville Electoral Board. Plus I get to blog.



The first fifty years have been filled with surprises. (These are just highlights.) Who knows what follows?



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