Guest Post: 'Magical Mystery Tour' paved the way for Monty Python

Adam Behr, Newcastle University

The 50th anniversary of Sergeant Pepper’s Lonely Hearts Club Band was much celebrated in 2017. But this Christmas also marks 50 years since the release of another Beatles production that received much less critical acclaim – the Magical Mystery Tour film.

Much of the music within it was produced during a particularly fecund period (even by the Beatles’ standards) and is, or course, peerless – from the music hall echoes of Your Mother Should Know through the plaintive, melodic Fool on the Hill to the boundary breaking I Am the Walrus.

Shutterstock/Anita Ponne

Unfortunately the film itself fell far short of that artistic bar. First broadcast on Boxing Day 1967, it is, to put it mildly, seriously flawed. Incoherent, sexist, technically shaky and verging on boring, history hasn’t been kind to its cinematic qualities.

Contemporary reviews and audience responses were also so generally scathing that Paul McCartney was moved to issue an apology of sorts to the television broadcast’s 20m viewers. He said in a hastily convened interview:

We don’t say it was a good film. It was our first attempt. If we goofed, then we goofed. It was a challenge and it didn’t come off. We’ll know better next time.

Matters weren’t helped by the Beatles’ psychedelic, colourful exploration being broadcast in black and white on BBC1. A repeat on BBC2 (then the only colour TV service) a few days later did little to redress the situation, if only because there were fewer than 200,000 colour sets in the UK at the time.

Pushing institutional boundaries

For all the defensiveness of McCartney’s response (“You could hardly call the Queen’s speech a gasser”) they do point towards some retrospectively mitigating aspects of the Magical Mystery Tour film.

The film’s distinctly British surrealism and cavalcade of barking sergeant majors, fat aunts, dolly birds, wacky racers and midgets clearly prefigured Monty Python’s explosion of absurdity into mainstream television.

Indeed, George Harrison said later on that he saw Monty Python as a continuation of the spirit of the Beatles. He also funded some of their films, including The Meaning of Life – whose notorious Mr Creosote sketch has visual echoes of a scene in Magical Mystery Tour where John Lennon, dressed as a waiter, serves pasta to Ringo’s fictional Aunt Jessie by the spade full.

What the Pythons added to the mix were sharply honed scripts. Magical Mystery Tour, by contrast, was almost entirely ad-libbed from a one-page diagram. The Beatles’ skill as writers and arrangers was poured into their music instead.

Something else the Pythons had, and which the Beatles lacked, was the benefit of Oxbridge educations. Magical Mystery Tour’s sensibility was more rooted in working class entertainment and tropes than the Pythons’ Oxbridge-infused references.

The very concept of a coach journey – albeit one largely filmed at a decommissioned RAF base – was based on the “charabanc” trips (group bus excursions) of the band members’ childhoods.

The film evokes the past – both a British past in general and, more specifically, as filtered through the Beatles’ own histories. It certainly shows them pushing the boundaries of what a rock band of four Liverpudlians (whose post-school education essentially took place in the nightclubs of Hamburg) could attempt, both artistically and institutionally. Their commercial and creative clout allowed them to broadcast the film during a key annual peak slot for British television viewing.

Prime time

Magical Mystery Tour occupied a particular space in the history of mass entertainment – from the “end of the pier” shows, through the Donald McGill postcards that George Orwell defended against artistic snobbery, to the anarchic weirdness of the likes of Mr Blobby on Saturday night TV.

The Beatles infused that particular strand of entertainment with the forward looking experimentalism of their music, while retaining a characteristic, widely recognisable Britishness. It was this that paved the road for Python and others to follow.

That Magical Mystery Tour was their first real failure since breaking through into the mainstream was also partly a matter of practicalities. While still flowering creatively, they were logistically rudderless after the death earlier that year of their manager Brian Epstein.

Their lack of understanding of the demands of editing a film foreshadowed their later business-related shortcomings, notably the Apple boutique and record label. If the latter of these was revived to become the familiar Beatles brand of today, it was initially a costly failure that contributed to the band’s demise.

But while the film may have overreached, it still demonstrates a clear broadening of mainstream creative boundaries. Popular music fans were certainly receptive to their successful experiments. And even if the broader television public was less ready for a caustic, psychedelic vision of Britain in prime time during the Christmas holidays, Magical Mystery Tour still stands as a useful cultural document.

The Beatles being what they ultimately became, there’s much to be gleaned from their falls as well as their flights.

Adam Behr, Lecturer in Popular and Contemporary Music, Newcastle University

La version originale de cet article a été publiée sur The Conversation.

Guest Post: Sheep can recognize celebrities from photographs

Catherine Douglas, Newcastle University

Sheep are surprisingly smart. New research from the University of Cambridge shows the animals can learn to recognise people from photographs, even people they’ve never seen in real life, such as celebrities.

The researchers tested the sheeps’ recognition abilities using images of famous people including Barack Obama, actors Emma Watson and Jake Gyllenhaal, and UK newsreader Fiona Bruce. While this is an amusing way to demonstrate what sheep can do, the research could actually have serious uses.

Shutterstock

For one thing, increasing our understanding of sheep’s perceptual abilities could be used to argue for improved animal welfare. But sheep are also being used as models for understanding brain disorders such as Huntingdon’s disease and Parkinson’s disease, along with psychiatric disorders such as autism and schizophrenia. So learning more about their cognitive capacities could aid the work in this field.

In 2001, the Cambridge team showed that sheep could discriminate between photos of familiar sheep and humans and respond to the emotions portrayed in these photos. But they wanted to see whether sheep could actually recognise the people rather than just memorise familiar photos.

They used a computer screen to show eight Welsh mountain sheep the celebrity pictures, and then used food rewards to train the animals to select these familiar faces from a wider selection of pictures of other people and objects. The sheep could recognise the celebrities even though they had never met them personally and had only been introduced to a face-on photo. Incidentally, the sheep didn’t appear to have a preference for Emma, Barack, Fiona or Jake.

To see if the sheep were actually recognising people, rather than just memorising certain images, the researchers showed them photos of the celebrities taken from different angles. The sheep were able to correctly identify the celebrity 80% of the time, dropping to 66% for photos taken at a different angle. This compares to rates of 90% and 76% in humans.

This is an enviable record for the sheep given that they are recognising the faces of another species. (How many humans could recognise different sheep from their photos?) This sound scientific set-up was also able to time the sheep’s responses, showing they appeared as confident whether looking at the face in the same position as the original photo or from a different angle.

There was one final surprise for the sheep. After proving they could recognise faces of people they’d never met from two-dimensional photos, the sheep were shown pictures of their regular human handler. Although they hadn’t been trained to recognise these images, they selected them over the unfamiliar photos anyway.

Smart sheep

I was asked if, as an Ig Nobel laureate myself, I thought this recent Cambridge sheep study would be a contender for an Ig Nobel award, the prize for science that “first makes you laugh, then makes you think”. Celebrity-spotting sheep might sound funny but the science involved in this study actually isn’t sniggerable.

First it makes an interesting contribution to animal science, showing sheep have much greater cognitive abilities than many people realise. This includes farmers, who often manage hundreds of animals with little actual contact, in the presence of dogs and during unpleasant experiences such as worming or shearing. This means sheep are usually at their least composed around humans, without the inclination to show off their impressive cognitive capacities.

My own work and that of colleagues in Scotland has found that ewes can identify pain in their lambs who have undergone tail docking or castration. Another recent study demonstrated that it is possible that sheep have a sense of self and can recognise themselves in a mirror – something we only know is possible in very few species, including chimpanzees, dolphins, elephants and magpies.

Learning more about sheep’s cognitive abilities could also feed into work on using their brains to study neurological conditions in humans. We know that the neural networks that sheep’s brains use for face perception are similar to those used by human brains. That means that we might be able to use sheep to test treatments for human diseases where patients lose the ability to recognise faces or emotions, such as Huntington’s disease.

If sheep were on the Ig Nobel judging panel, they would laugh at the idea that people are surprised at their abilities. (And we know that animals really can laugh. And they might also be interested to know that Ig Nobel prizes have been awarded for studies showing many human identical twins cannot tell themselves apart visually. Or that humans with an itch on the left side of their body, can relieve it by looking into a mirror and scratching their right side. This research suggests that actually humans aren’t as good at visual recognition as we perhaps think.

Catherine Douglas, Lecturer in Animal Science, Newcastle University

This article was originally published on The Conversation. Read the original article.